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Artlist — Center for Contemporary Arts Prague

Michal Nesázal

First Name
Michal
Surname
Nesázal
Born
1963
Birth place
Brno
Place of work
Prague
Website
www.michalnesazal.com
i-datum
↳ Find in the VVP AVU database
Keywords
graphic art
painting
photography
CSU Library
↳ Find in the catalogue

About artist

Michal Nesázal – The Gate to Hidden Worlds

 

It is not for nothing that Nesázal is known as a painter-solitaire, seeking his own path to depicting reality. That reality is exceptionally cultivated, endowed with the purity and magical colourfulness of dream scenery, economical in its figurative expression, but with many layers of meaning. It is a vision freed of narrativity, influenced by the artist’s interest in quantum physics, astronomy, and cosmology, and always accompanied by an innovation and a new formal approach. Contemplating the various possible approaches to painting landscape, he called his paintings ‘Gates’, gates to other worlds. These worlds, however, were it seems not always external; they could rather be seen as internal, moving between real space and the imagination, the present and a utopia outside time. These canvases are characterised by some kind of distinctive cybernetic-realist style, as the titles of several of the artist’s exhibitions indicate: Neonland (2002), Ultra Space (2007), Vivid Space (2008), Pure Land (2010).

 

If landscape paintings, with their substitutive features of bodies of water, mountains, vegetation, and blue skies, are at all to rank among introverted forms of expression, then the figures of imaginary persons, filling the artist’s paintings and drawings, form his alter ego. This allegedly all began when he was fifteen, when a strange man and invisible guru began walking with him, without the artist knowing a thing about him, until suddenly there was an encounter and wordless conversations. In 1997 the artist devoted an entire exhibition to this figure titled The Most Beautiful World (Nejkrásnější svět, Nová síň, Prague), as though he wanted to grant him entry into the paradise of a colourful universe, full of flowers, scents, and light. Here his mysterious pilgrim, despite having accompanied him for many years, always had the same preserved face and wore a hat in the shape of a planet in outer space, while turning his gaze to the skies.

 

Many years later, in 2012, the artist had an exhibition in the Tower of the Old Town Hall (Staroměstská radnice) in Prague at which he presented a series of drawings of strange intangible creatures, most of them female, with a round head, large eyes, and a tiny mouth, under the title E.L.F. (Everlasting Love Forever) – a paraphrase of Robert Knight’s hit song from 1968. Here he drew on his inspiration from the purity of the watercolour and ink drawings and paintings that he encountered on his many trips to China, which is also where he got his rice paper, special brushes, and quality ink. ‘These ideas came to me by themselves, because intuition moves much faster than rational thought. It’s like spontaneously capturing a visual idea, but concentration is required first’, is how the artist describes his approach. He did not specifically make clear who these ethereal creatures represent, he only mentioned that they inhabit another world: ‘I’d leave the interpretation up to the viewer, my feeling is that there’s lots of room there for that and I wouldn’t want to limit it in any way’, he explained. The installation of drawings was accompanied by small wooden structures, with theoretical postulates, delving into both the artist’s mind and his work space.

 

At the start of the 1990s, when Nesázal began to work, having graduated from the studio of Jiří Sopek at the Academy of Fine Art in Prague, and when he was also a member of the group Monday (Pondělí), he was exhibiting figurative stuffed-animal objects, and another of his fellow pilgrims, a three-legged dog, along with variously modified trivial objects, toys, and trinkets in intimately conceived installations. He won the Jindřich Chalupecký Award in 1992 for a series of drawings of the three-legged dog Taco, in which he reported on his mystical encounter with a stray dog. For the artist, and for us all, this was a period of restlessness, volatility, irony, and existential anxiety. Perhaps that is why the artist ultimately deflected his gaze from what was inside him and found a way out through the creation of imaginary, dreamy landscapes, as a way of having recourse to another, more beautiful world. He presented perfection of the craft of painting and the free playfulness of poetics in his precisely painted, ideally arranged sceneries. ‘I want it to be something that has the ability to “purify” and regenerate a person in a short time. That is where I believe art has a chance.’

 

However, not long after he presented his ‘silicon paintings’ in the environmentally clean Neonland in 2002, he discovered that a person probably cannot derive all their satisfaction from a harmonically ordered world, in part because in these acrylic paintings of idealised absolute landscapes there is no longer any place for humans. This led him to go back to his inner visions and to drawing as the oldest artistic medium, as ‘in an age when art is increasingly complicated, drawing is an honest mirror, which simply shows whether something is or is not there’. Small chipboard lean-tos against the wall still fulfilled a harmonising function in the installation space, and one of them even bore the Old Testament name Gate Dimension, although ‘the focal point of this world is transported into our minds’. Similarly the video-projection of the universe across the width of one whole wall, inspired by NASA images of the universe, expressed the artist’s interest in dimensions beyond the framework of our ‘terrestrial‘ world and in cosmological themes in general.

 

The artist has thus not let go of his interest in worlds beyond our own. The boundary between ideas about the future and the internal world of the psyche is however a fragile one; the artist’s world is rationally irrational, spiritual, platonic. In recent years, in a cycle titled Models of the World (Modely světů), Nesázal’s painting, which had hitherto depicted mainly a personal fictional world, were enriched with cosmological symbols, signs, and optical structures expressing the objective possibility of weaving various other worlds into our present one. This touches on the grand story of space and time that is currently in new and surprising ways being formulated by modern-day science, and it questions what exactly reality is. Even a world far away can meld with one that is very nearby.

Author of the annotation
Vlasta Čiháková Noshiro

Published
2015

CV

Studies :
1984 -1991 Academy of Fine Arts , Studio of prof . Jiří Sopko , Prague
1977-1981 Secondary School of Applied Arts in Prague

Prices :
Jindrich Chalupecký 1992

Study stays :
2010 - China , Beijing
2009 - Hong Kong
2008 - China , Shanghai
2006 - USA , Vermont , artist in residence
1999 - Sri Lanka , Kandy , Unawatuna , Colombo
1998 - The South FrancieMonako
1993 - USA , San Francisco , Headland Center for the Arts
1993 - USA , New York , artist in residence
1992 - Australia , Sydney , University of Western Sydney
Member of art groups included in ARTLIST.
Pondělí

Exhibitions

Solo exhibitions
(selection):

2014
Galerie Felixe Jeneweina, MODELY SVĚTŮ

2012
Galerie Hlavního Města Prahy, Staroměstská radnice, E. L. F.

2011
Praha, Galerie ArtPro, MIMOTO

2008
Praha, Galerie Via Art, VIVIDSPACE

2007
Brno, Galerie Brno, ULTRA PROSTOR

2006
Olomouc, Galerie Caesar, PURE LAND

2004
Prague, Galerie Jelení, NEONLAND

2002
Klatovy, Galerie U Bílého Jednorožce, NEONLAND 2202

2000
Praha, Parlament ČR

1998
Praha, Galerie Nová síň, NEJKRÁSNĚJŠÍ SVĚT

1997
Praha, Galerie Václava Špály, PŘEDSTAVTE SI, CO SE MI ZDÁLO,
ONO SE MI TO NEZDÁLO

1996
Praha, Galerie Behémót

1995
Zlín, Galerie Archa
Praha, Galerie JNJ, STARÁ DOBRÁ TRÁVA

1994
Praha, USA Center, CALIFORNIE A DÁL…
Olomouc, Divadlo hudby,TACO

1993
Praha, Galerie Václava Špály, CENA J. CHALUPECKÉHO
Praha, Galerie MXM, ROPA V NÁS
San Francisco, Headlands center for the Arts, WOODLANDS

1992
Austrálie, Univerzity of Western Sydney, WHAT CAN I DO FOR YOU

1991
Praha, Galerie Pi-Pi Art, ČESKÁ DUŠE
Group exhibitions not included in ARTLIST.
2013 – Praha, FUTURA, Grafický design                    2010 – Praha, DOX Centrum pro současné umění, CENA J. CHALUPECKÉHO 20102009 – Praha, DOX Centrum pro současné umění rague, ČTRNÁCT S2006 – Německo, Bayern, Pirna, Festival Mitte europa2005 – Praha, Galerie Rudolfinum, IMPRESE2004 – Praha, Galerie kritiků, ČISTÁ KRÁSA 2004 – Brno, Moravská galeire Brno, EJHLE SVĚTLO2004 – Praha, Jízdárna Pražského hradu, PERFECT TENSE2003 – Praha, Galerie Mánes, ARTNOW 2001 – Praha, Národní galerie,Veletržní Palác, NEW CONNECTION2001 – New York, World Trade Center, NEW CONNECTION1999 – Praha, Václavské nam.15, CZ991998 – Holandsko, Eschende, Univerzity Enschede, J. CHALUPECKY AWARD1997 – Francie, Paříž, České centrum, PARALELY1997 – Praha, Pražský hrad, Starý královský palác, CENA J. CHALUPECKÉHO1997 – Maďarsko, Budapešť, Mücsarnok Muzeum, CONTEMPORARY CZECH ART1997 – Praha, Galerie Václava Špály, SHAKE / ŠEJK1995 – Praha, Galerie Mánes, ZKUŠEBNÍ PROVOZ1993 – Praha, Galerie Nová síň, JAKO ŽENY1992 – Praha, Galerie Václava Špály, MEZI EZOPEM A MAUGLÍM1992 – Německo, Mnichov, Pasinger Fabrik, SIRUP1991 – Německo, Mnichov, Galerie der Kunstler, BEITRAG ZUM GLÜCK1991 – Praha, Galerie ÚLUV, NOVÁ INTIMITA1991 – Rakousko, Steyer, G.AKKU, PONDÉLÍ1990 – Praha, Galerie U Řečických, MEDHERMENEUTICA + PONDĚLÍ1989 -  Konfrontace VIII., Svarov
Collections
National Gallery in Prague, Collection of Contemporary and Modern Art
Olomouc Museum of Art

Private collections:
Sydney, New York, Germany (Munich), Prague

Monography

Monography

-       7 individuálních katalogů

-       1991 Art in America

 

Fine Art Lexicon Akademia, Prague pag. 564

 

WHO IS WHO ? in Czech 2000 pag.411

Articles

Vaňous, Petr, Michal Nesázal/ Galerie, A2 kulturní týdeník, 47/ 2008, s. 26-27

Vaňous, Petr, Nejlepší je být božskej aneb na okraj pohádky, in. Umělec 3/03, s.38-40

Pokorný, Marek, in. Detail 7/III, 1998, s.2

Vladíková, Simona, Nevymyslíš, in. Detail 3/III, 1998, s.3

Balabán, Jan, Michal Nesázal: Free Download Area, in. Detail 1/III, 1998, s.14

chtění-musení-pročení, rozhovor vedla Slavická, Milena, in. Výtvarné umění 1/1993, s.59-61

Slavická, Milena - Návrat z Elizabeth Bay. Pohled do tvorby M. Nesázala, in. Výtvarné umění 1/1993, s.53-58

Photo

Center for Contemporary Arts Prague www.fcca.cz 2006–2017
This website is archived by National Library of the Czech Republic within the project WebArchiv